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    <lastmod>2024-07-17</lastmod>
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      <image:title>Agenda projects and programs</image:title>
      <image:caption>AGENDA. For updates go to beyondwallscollective.com</image:caption>
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    <loc>https://www.suzannerastovac.com/agenda/shishani-sisterhood</loc>
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    <lastmod>2021-06-14</lastmod>
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      <image:title>Agenda projects and programs - SHISHANI &amp; SISTERHOOD</image:title>
      <image:caption>STORYTELLING CONCERT SHISHANI &amp; SISTERHOOD I 25 April 2021, Livestream Beyond Walls in collaboration with Tropenmuseum, Erasmushuis Jakarta and Hotel Jakarta. A collaboration between Shishani, Erasmushuis &amp; Beyond Walls. With great thanks to Tropenmuseum and Gemeente Amsterdam for facilitating the production. On 25 April Erasmushuis Jakarta and Beyond Walls launch this Storytelling concertfilm with a Talk curated by Beyond Walls. Host Nancy Jouwe in a conversation with Yolande Melsert, Director Erasmushuis, Amsterdam based artists Shishani Vranckx and spoken word Tieka Masfar. Followed by an online Q&amp;A. Watch the full talk &amp; concert here. For SHISHANI &amp; SISTERHOOD Singer-songwriter/conceptualist Shishani Vranckx dives into the various stories and art forms in Indonesia, the Moluccas and Papua and creates a personal interpretation of the works that inspire her with the help of her team of artists. Shishani brings together a diverse line-up of multi-disciplinary performers centralizing female artists. With: spoken word artist Tieka Masfar, tifa Tiga Batang Rumah, musician Wulan Dumatubun, dancer Asih Sungkono, batik expert Sabine Bolk and bass player Jaimie van Hek. Read more information on the artists..</image:caption>
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      <image:title>Agenda projects and programs - SHISHANI &amp; SISTERHOOD</image:title>
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      <image:title>Agenda projects and programs - SHISHANI &amp; SISTERHOOD</image:title>
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      <image:title>Agenda projects and programs - SHISHANI &amp; SISTERHOOD</image:title>
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      <image:title>Agenda projects and programs - SHISHANI &amp; SISTERHOOD</image:title>
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      <image:title>Agenda projects and programs - SHISHANI &amp; SISTERHOOD</image:title>
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      <image:title>Agenda projects and programs - SHISHANI &amp; SISTERHOOD - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  <url>
    <loc>https://www.suzannerastovac.com/agenda/beta-disini</loc>
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    <lastmod>2021-04-14</lastmod>
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    <loc>https://www.suzannerastovac.com/agenda/expertmeetingmondriaanfund</loc>
    <changefreq>monthly</changefreq>
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    <lastmod>2021-02-15</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e047de54b89f34b576f95ba/1613397768207-DPQ2133000LTGVVPKAPS/Tieka+Masfar.jpg</image:loc>
      <image:title>Agenda projects and programs - EXPERTMEETING MONDRIAAN FUND - BEYOND THE COLLECTION</image:title>
      <image:caption>POETIC RECAP I February 15, 2021 Poetry reflection 'Beyond The Collection' by spoken word artist Tieka Masfar There’s much to say about the two sessions on dealing with colonial collections by Beyond Walls during the expertmeeting ‘HERE: Heritage Reflections’ organized by Mondriaan Fonds and Rijksdienst voor het Cultureel Erfgoed. All 23 participants were asked to give a brief summary of their sessions. Beyond Walls asked spoken word artist Tieka Masfar to write and perform a poetic reflection instead. A big s/o to Tieka for capturing our two sessions in such a powerful way. BEYOND THE COLLECTION poetry reflection by Tieka Masfar “I am the other. The one you speak of when you think this might be sensitive I am a diaspora of a community So let’s go What’s mine is yours  But you took it and put it on display It was not a trophy All you’ve done is put you’re ego on a plate Eat it up Take a picture it lasts longer How many multi-perspectives can you handle Don’t be surprised You will be continuously Because we don’t know what the future holds All these young heritage professionals Taking a stand Taking a step Cleaning things up Stay away from politics they say Relate to a modern audience of today Create something for the community  But don’t say they I am a part of that community Stay in unity Say us, together Help us facilitate Listen to the stories Don’t be afraid to tell us Don’t be afraid to ask us I don’t know the terms but I do know how I feel Am I a trend Am I a trend Am I a trend Is that relevant Restitution matters  Educate Educate who’s talking who is taking space Is there hope in education If we’re not taught to re-tell Transparency. Be real. Be truthful in all the ways From each community Misunderstandings Be unpredictable Break the walls Beyond walls  Technical issues one moment please it’s not working I can’t oh hi Please stop.” - Tieka Masfar @artistieka @stormyweatherthoughts EXPERTMEETING I February 11, 2021 I Mondriaan Fonds, Rijksdienst voor het Cultureel Erfgoed. We are happy to share that Mondriaan Fonds invited Beyond Walls for a break-out session on colonial heritage during the expert meeting ‘HERE: Heritage Reflections’ on 11.02. Organized by Mondriaan Fonds and Rijksdienst voor het Cultureel Erfgoed. In our session, we will explore colonial heritage beyond institutional and academic frameworks. We invite participants to reflect on accessibility, ownership, diaspora perspectives, the role of emotions related to colonial heritage, and more. How can colonial heritage contribute to more critical awareness when coloniality is deeply rooted in our institutions and society?</image:caption>
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  <url>
    <loc>https://www.suzannerastovac.com/agenda/revolusi</loc>
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    <lastmod>2021-04-14</lastmod>
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      <image:title>Agenda projects and programs - PUBLIC PROGRAM I REVOLUSI</image:title>
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      <image:title>Agenda projects and programs - PUBLIC PROGRAM I REVOLUSI</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e047de54b89f34b576f95ba/1607517229206-A17HJCVNT6MGCRFVAE83/2.+David+Van+Reybrouck+%28Frank+Ruiter%29.png</image:loc>
      <image:title>Agenda projects and programs - PUBLIC PROGRAM I REVOLUSI</image:title>
      <image:caption>David Van Reybrouck (1971, Bruges, Belgium) is a cultural historian, archaeologist and writer of non-fiction, theater and poetry. He achieved his greatest success with Congo. A history that was awarded the Libris History Prize 2010, the AKO Literature Prize 2010 and the Prix Médicis 2012. His essay Plea for Populism earned him the Jan Hanlo Essay Prize 2009 and the Flemish Culture Prize Criticism and Essay 2009. In 2014 he received the Gouden Ganzenveer and his pamphlet Against elections was awarded the Henriëtte Roland Holst Prize. This pamphlet was praised by Kofi Annan. He also wrote the theater monologue Para (2016) and A jihad of love, for which he was awarded the Flemish Community's Badge of Honor together with Mohamed El Bachiri in 2017. In the same year, the essay Peace can be learned (together with Thomas d'Ansembourg) was also published. Van Reybrouck's Boekenweekessay Zink was awarded Prix du livre européen. His work is published in more than twenty languages.  credits photo: Frank Ruiter</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e047de54b89f34b576f95ba/1607517304196-L2WEDOAGCRYIGCAZZ76V/4.+Goenawan+Mohamad.png</image:loc>
      <image:title>Agenda projects and programs - PUBLIC PROGRAM I REVOLUSI</image:title>
      <image:caption>Goenawan Mohamad (1941, Batang, Java) is an Indonesian poet, editor and man of letters. Mohamad has been a crusader for press freedom in Indonesia since his university days.  Working in a dictatorial system in which the press was controlled by threats, intimidations, and banning, Goenawan Mohamad was the most consistent and visible voice for freedom of the press in the country for two decades. He is the founder and editor of Tempo (Time) magazine in Indonesia. Tempo was banned in 1994 by the Suharto’s New Order administration because of its vocal criticism of the authoritarian regime. Rather than leave the country Mohamad chose to stay and to continue to work to broaden freedom in Indonesia. He still published an Internet version of Tempo and he formed the Alliance of Independent Journalists to continue pushing for press freedom. In 1995 Mohamad initiated the Institute for the Study of Free Information Flow. Goenawan Mohamad is also one of the world’s leading voices of moderate Islam and contributors to the creating of the national language of Indonesia, Bahasa Indonesia. Mohamad has received various awards, such as the first Professor Teeuw Award of the University of Leiden in 2002 and in 2006 he received the Dan David Prize award. In 1999, Mohamad was named International Editor of the Year by World Press Review magazine. In 1998, he was one of four winners of the CPJ International Press Freedom Awards.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e047de54b89f34b576f95ba/1607517408846-G5N2GH7Q3Q8BI0KZ2COE/3.+Sadiah+Boonstra+%28Maarten+Nauw+FF%29.png</image:loc>
      <image:title>Agenda projects and programs - PUBLIC PROGRAM I REVOLUSI</image:title>
      <image:caption>Dr Sadiah Boonstra is a Historian and Curator and is active in a broad cultural field. Sadiah combines her academic expertise with curating, producing and programming. Living and working in Jakarta, Sadiah is also an Asia Scholar at Melbourne University. She obtained her PhD in History from the VU University in Amsterdam in 2014. She is interested in the entanglement and legacy of colonial history, heritage, art and culture in contemporary Indonesia.  photo credits: Maarten Nauw / Framer Framed</image:caption>
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    <loc>https://www.suzannerastovac.com/agenda/erfgoedondervuur</loc>
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    <lastmod>2020-11-07</lastmod>
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      <image:title>Agenda projects and programs - PODCAST I HERITAGE UNDER FIRE (DUTCH)</image:title>
      <image:caption>ERFGOED ONDER VUUR: het pistool van Raymond Westerling. Een podcast van de Open Universiteit in samenwerking met Beyond Walls. Met o.a. Joss WIbisono, Caroline Drieënhuizen, Jazzy Taihuttu en Harm Stevens. Online hier te beluisteren. Op een sokkel of in het depot? De Colt .32 was het favoriete wapen van de Nederlandse kapitein Raymond Westerling. De man die tijdens de Indonesische Revolutie verantwoordelijk was voor duizenden doden op Zuid-Sulawesi tussen december ’46 en maart ’47. Momenteel wordt het wapen tentoongesteld in het Nationaal Militair Museum. Hoe moet je met een dergelijk controversieel object omgaan? Hoort een wapen dat verwijst naar massamoorden wel thuis in een museum? En zo ja, hoe presenteer je dit dan en met welk verhaal? Historica Caroline Drieënhuizen en politiek filosoof Marieke Borren gaan in gesprek met Joss Wibisono, journalist en onderzoeker, Harm Stevens, conservator van het Rijksmuseum, Dirk Staat, conservator Nationaal Militair Museum en Jazzy Taihuttu, kunsteducator en regie-assistent van de film De Oost. Maand van de Geschiedenis Erfgoed onder Vuur is een productie van Beyond Walls en de Open Universiteit in het kader van de Maand van de Geschiedenis. Op dinsdag 27 oktober wordt deze podcast gelanceerd via www.ou.nl. Blijf op de hoogte en volg ons via social media en www.ou.nl.</image:caption>
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      <image:title>Agenda projects and programs - PODCAST I HERITAGE UNDER FIRE (DUTCH)</image:title>
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      <image:title>Agenda projects and programs - PODCAST I HERITAGE UNDER FIRE (DUTCH)</image:title>
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  <url>
    <loc>https://www.suzannerastovac.com/agenda/erfgoedinbeweging</loc>
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    <lastmod>2020-10-05</lastmod>
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      <image:title>Agenda projects and programs - PUBLIC PROGRAM I HERITAGE IN MOTION (DUTCH)</image:title>
      <image:caption>vlnr: Yopi Abraham, Jeremy Flohr, Raki Ap, Imara Limon, Richard Kofi, Robin Block en Amanda Pinatih</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e047de54b89f34b576f95ba/1601628122359-R1M1JNVPA6XIFOP7IXX6/image-asset.jpeg</image:loc>
      <image:title>Agenda projects and programs - PUBLIC PROGRAM I HERITAGE IN MOTION (DUTCH) - Imara Limon is conservator Moderne en Hedendaagse Kunst bij het Amsterdam Museum sinds 2016. Limon maakte de tentoonstellingen Zwart Amsterdam (2016) en Zwart &amp; Revolutionair: het verhaal van Hermine &amp; Otto Huiswoud (2017), een initiatief van The Black Archives, en ontwikkelde het programma New Narrativesom het museum inclusiever te maken. Zij is bestuurslid van Kunsten ’92 en lid van de Raad van Toezicht van Centraal Museum Utrecht. Limon heeft een adviseursrol bij het Mondriaan Fonds en Prins Bernhard Cultuurfonds. Momenteel is zij curator van de tweejaarlijkse manifestatie Refresh Amsterdam met hedendaagse makers die werk tonen rond actuele maatschappelijke thema’s.</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e047de54b89f34b576f95ba/1601638946282-RNKJ17UDZRWV1B57LAT8/Raki-Ap-757x1024-1.jpg</image:loc>
      <image:title>Agenda projects and programs - PUBLIC PROGRAM I HERITAGE IN MOTION (DUTCH) - Raki Ap is educator en activist. Raki zet zich via educatie en activerende campagnes in voor meer bewustwording over de geschiedenis, klimaatracisme en actuele ontwikkelingen rondom West-Papua. Hij is woordvoerder van Free West Papua Campaign Nederland: een storytelling-campaign dat zich richt op het belichten van de schendingen van mensenrechten en ecocide in West-Papoea alsook het recht op zelfbeschikking.</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e047de54b89f34b576f95ba/1601627949127-W7NUIPF5Y4UY3COLZCVV/Richard%2BKofi.jpg</image:loc>
      <image:title>Agenda projects and programs - PUBLIC PROGRAM I HERITAGE IN MOTION (DUTCH) - Richard Kofi is beeldend kunstenaar, curator en hoofd programmering bij het Bijlmer Parktheater. In zijn kunstprojecten onderzoekt hij erfgoed vanuit Afrofuturistisch perspectief, waarin heden, verleden en de toekomst samenkomen. In het Tropenmuseum maakte hij onder andere de tentoonstelling Heden van het Slavernijverleden. Samen met Simone Zeefuik heeft hij de podcast Project WIASPORA over de maatschappelijke impact van kunst, cultuur en activisme. Daarin staat de verbeeldingskracht van diaspora gemeenschappen centraal.</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e047de54b89f34b576f95ba/1601628257601-8LVAVPW4UFIRI86242O5/yopi3.png</image:loc>
      <image:title>Agenda projects and programs - PUBLIC PROGRAM I HERITAGE IN MOTION (DUTCH) - Yopi Abraham kunstenaar, fotograaf, carver en founder van het platform Awareness Moluccan Identity. Yopi richt zich met dit collectief op hedendaagse vertalingen van (im)materieel erfgoed door middel van tentoonstellingen, kunst en muziek. Yopi heeft veel kennis en expertise op het gebied van Moluks en Pacific cultureel erfgoed en wordt met regelmaat gevraagd als spreker.</image:title>
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      <image:title>Agenda projects and programs - PUBLIC PROGRAM I HERITAGE IN MOTION (DUTCH) - Amanda Pinatih is kunsthistoricus, Conservator Vormgeving bij het Stedelijk Museum Amsterdam en mede-oprichter van Design Museum Dharavi. Ook is zij PhD-kandidaat en onderzoekt zij welke rol Indonesische objecten, die tijdens de koloniale tijd naar Nederland zijn gekomen, spelen bij onderhandelingen over burgerschap, verbondenheid en identiteit van een jonge Nederlandse generatie die zichzelf identificeert met een Indonesische afkomst. Daarbij kijkt zij naar objecten in het museum, objecten thuis, teruggave van objecten, maar ook naar nieuw werk van kunstenaars/designers die met deze objecten en symbolen werken zoals Jennifer Tee en Sarah Anne Rootert.</image:title>
      <image:caption>Fotocredits: Crafts Council Nederland.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e047de54b89f34b576f95ba/1601929458346-IOS4IB8LVF4NLRCPEBQD/Robin+Block_pr_%28foto+Amke+de+Kiviet%29.jpg</image:loc>
      <image:title>Agenda projects and programs - PUBLIC PROGRAM I HERITAGE IN MOTION (DUTCH) - Robin Block is dichter, muzikant, theatermaker. Zijn werk begeeft zich op het grensvlak van taal, muziek en performance. Op deze website deelt hij poëzie, muziek en storytelling. Ook houdt hij een weblog bij over de geschiedenis, kunst en tradities van Indonesië en voormalig Nederlands-Indië. Momenteel speelt Robin Block de solo storytelling show SAMUDRA. Hij is oprichter van de muziektheatergroep Project Wildemanen onderdeel van het Nederlandstalige popduo WOLKEN. Ook schrijft hij maandelijks een column voor Indisch Tijdschrift Moesson. https://www.robinblock.nl</image:title>
      <image:caption>foto Amke de Kiviet</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e047de54b89f34b576f95ba/1601628732028-6VU679SJ80BTMXM4KD64/Jeremy+Flohr+%282%29_Fotor.jpg</image:loc>
      <image:title>Agenda projects and programs - PUBLIC PROGRAM I HERITAGE IN MOTION (DUTCH) - Jeremy Flohr is filmmaker, visual storyteller en audio producer. Zijn werk bevindt zich op het snijvlak van koloniale geschiedenis, persoonlijke verhalen en sociaal-maatschappelijke thematiek. Onder andere maakte hij films voor o.a. New Dutch Connections, de Nationale Indiëherdenking, Nationaal Comité 4 en 5 mei en PRIDE in opdracht van Groenlinks. Jeremy’s films zijn te zien geweest in musea en tentoonstellingen, o.a. het Joods Historisch Museum en Haags Historisch Museum. Voor Mapping Slavery produceerde hij samen met Nancy Jouwe en Babs Gons in 2018 de serie Sporen van Slavernij. Voor Read My World maakte hij onlangs de serie Gentrified Stories, over de gevolgen van gentrificatie in diverse stadsdelen in Amsterdam.</image:title>
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  <url>
    <loc>https://www.suzannerastovac.com/connect</loc>
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    <lastmod>2022-06-18</lastmod>
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      <image:title>Connect</image:title>
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  <url>
    <loc>https://www.suzannerastovac.com/about</loc>
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    <lastmod>2025-08-19</lastmod>
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      <image:title>About Suzanne</image:title>
      <image:caption>Photo by Armando Ello / Beyond Walls, July 2025, Molukkenstraat (Amsterdam East)</image:caption>
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    <lastmod>2024-07-17</lastmod>
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      <image:title>Beyond Walls Collective - Make it stand out</image:title>
      <image:caption>A still from the TED Talk which features Jorge’s ‘the Peak of Eternal Light’ series.</image:caption>
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      <image:caption>STORYTELLING CONCERT SHISHANI &amp; SISTERHOOD I Sunday 25 April I 14.00 - 16.00 (CET) // 19.00 - 21.00 Jakarta I Online, Erasmushuis Jakarta The concertfilm SHISHANI &amp; SISTERHOOD is a collaboration between Shishani, Erasmushuis, Beyond Walls &amp; audio Waargebeurd. With great thanks to Tropenmuseum for facilitating the production. On 25 April Erasmushuis Jakarta and Beyond Walls launched this Storytelling concertfilm with a Talk curated by Beyond Walls. Host Nancy Jouwe in a conversation with Yolande Melsert, Director Erasmushuis, artist Shishani Vranckx and spoken word artist Tieka Masfar. Followed by an online Q&amp;A. Watch the full talk &amp; concert here. For SHISHANI &amp; SISTERHOOD Singer-songwriter/conceptualist Shishani Vranckx dives into the various stories and art forms in Indonesia, the Moluccas and Papua and creates a personal interpretation of the works that inspire her with the help of her team of artists. Shishani brings together a diverse line-up of multi-disciplinary performers centralizing female artists. With: spoken word artist Tieka Masfar, tifa Tiga Batang Rumah, musician Wulan Dumatubun, dancer Asih Sungkono, batik expert Sabine Bolk and bass player Jaimie van Hek. Read more information on the artists..</image:caption>
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      <image:caption>left to right: Yopi Abraham, Jeremy Flohr, Raki Ap, Imara Limon, Richard Kofi, Robin Block en Amanda Pinatih</image:caption>
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      <image:title>Beyond Walls Collective - JEREMY FLOHR</image:title>
      <image:caption>Jeremy Flohr is filmmaker, visual storyteller and audio producer with a Bachelor of Law in his pocket. Jeremy is co-founder of Beyond Walls. His work is at the intersection of colonial history, personal stories and social themes. He has made films for TED, New Dutch Connections, Rijksmuseum, the August 15 National Remembrance Day, Keti Koti, National Committee 4 and 5 May, among others. Jeremy's films have been shown in museums and exhibitions, including The Hague Historical Museum, Rijksmuseum Amsterdam and the Jewish Historical Museum. Jeremy has been awarded with the Best Poetry Film Award in the Netherlands (2021) and Germany (2022). He currently works on NEW HOME - stories of belonging (2022). A documentary about diaspora communities in the metropolitan cities Vancouver and New York. For Mapping Slavery he produced the series Traces of Slavery together with Nancy Jouwe and Babs Gons in 2018. Currently he works on the Read My World project Gentrified Stories, about the impact of gentrification in various city districts in Amsterdam. He is also socially involved in his hometown Utrecht where he gives masterclasses in the Overvecht district. Intrigued by inspiring people and their personal stories, his sensitive feel for storytelling and unique eye and style as a filmmaker, he loves to keep uncovering stories the world needs to know.</image:caption>
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      <image:caption>EXPERT MEETING I BEYOND THE COLLECTION. EXPERTMEETING I February 11, 2021 I Mondriaan Fonds, Rijksdienst voor het Cultureel Erfgoed We are happy to share that Mondriaan Fonds invited Beyond Walls for a break-out session on colonial heritage during the expert meeting ‘HERE: Heritage Reflections’ on 11.02. Organized by Mondriaan Fonds and Rijksdienst voor het Cultureel Erfgoed. In our session, we will explore colonial heritage beyond institutional and academic frameworks. We invite participants to reflect on accessibility, ownership, diaspora perspectives, the role of emotions related to colonial heritage, and more. How can colonial heritage contribute to more critical awareness when coloniality is deeply rooted in our institutions and society? We would love to discuss these topics and more with you! So join us in the conversation and register here. More details on our session will follow soon.</image:caption>
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      <image:title>Beyond Walls Collective - ARMANDO ELLO</image:title>
      <image:caption>Armando Ello is a creative entrepreneur, photographer, filmmaker and co-founder of Beyond Walls. His work focuses on photographing and documenting people with roots from the former colonies with a focus on the Dutch East Indies. Armando photographed more than hundred people with roots in Indonesia for the Moesson (2005 - 2015) Hoezoindo and his own publications such as Twijfelindo (2015), Zwarte Huid Oranje Hart (2009), Antara Nusa (2017), Pusaka (2019) and Indoworldphotoproject (2021). He also produced films for TedxEducation and various Dutch music ensembles including Calefax. Armando’s work featured on Dutch national television like the program From Jakarta to Rotterdam and National Geographic. Currently his work Indoworld is at display in the exhibition I, Asia curated by Pan Asian Collective. As an entrepreneur, he develops bottom-up initiatives and finances his projects through crowdfunding that he facilitates himself. He is specialized in online marketing strategy and social media and founded his own self-publishing label. On this platform he publishes books such as the successful Twijfelindo and Indoworld photography project for which he traveled around the world and portrayed diaspora communities worldwide: from Australia, New Zealand, Aruba to Sweden, the US, Canada and beyond. Armando sees photography and film as strong visual tools to exhibit and publish the stories for the purpose of educating a wider audience. His mission is to collect personal stories and link them to historical events.</image:caption>
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      <image:caption>Audience during the program at Framer Framed.</image:caption>
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      <image:caption>Picture: Armando Ello, Museum Night, 6 November 2021 BEYOND WALLS TAKEOVER Het Scheepvaartmuseum x Museumnacht Amsterdam I Saturday 6 November 2021, 7 pm - 11.30 pm The replica of the VOC ship has been a crowd-puller for the National Maritime Museum since 1991. This spring the ship returned to the museum after an extensive renovation. But what does the VOC ship actually mean in today's world? For whom does the ship have (no) value and why? Although the ship never took an active part in the VOC spice trade and slavery, it was not built in a vacuum. The global slave trade and the violent VOC actions to maintain Dutch monopoly on international trade are an essential part of the story. A context currently missing on the ship. With Jij aan het roer the museum aims to add the missing perspectives. Beyond Walls was asked to kick-off this project by an intervention during Museum Night. BEYOND WALLS Takeover During museum night, BEYOND WALLS shed a different light on the ship. Highlighting the ship in deep red and leaving the presentation on the inside how it currently is, represented the fact that whatever narrative is being presented on the inside, this can never be seen without the context of colonial violence and oppression inherently attached to it’s (hi)story. Together with many visitors, Beyond Walls explored the question to what extent the ship can contribute to an honest and inclusive story of our colonial past. Is this even possible? Beyond Walls Takeover is a concept by BEYOND WALLS. With temporary interventions within the walls of institutions, BEYOND WALLS aims to move towards honest and inclusive representations of our colonial past and impact today where silenced voices and underrepresented (hi)stories are centered in the narrative.</image:caption>
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      <image:caption>‘Dear World, I hope you know you are kinda fucked up’ is the opening sentence by the youngest participant (photo). Her full message will soon be published online. Stay tuned! Photo: Read My World.</image:caption>
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      <image:title>Beyond Walls Collective - SUZANNE RASTOVAC</image:title>
      <image:caption>Suzanne Rastovac is a historian, researcher and curator of art &amp; heritage projects. She is co-founder of Beyond Walls. With Beyond Walls she develops and curates public programs &amp; heritage projects within the cultural sector and beyond, like Heritage under Fire and DIASPORA. The combination of history, arts and (visual) storytelling is key to her work. She collaborated with many different partners such as World Museum Rotterdam, Tropenmuseum, Research Center for Material Culture, Amsterdam Museum, Erasmus Huis Jakarta, National Committee 4 and 5 May, Institute of Southeast Asian and Caribbean Studies (KITLV), National Archives, World Cinema Festival and more. She also enjoys moderating programs on important topics like 25 Years after Srebrenica, by Read My World. Her background lies in colonial history and International Relations (BA and MA) with a specialization in colonial and contemporary history of Indonesia. She lived in Malaysia where she completed the minor postcolonial studies at the Universiti Sains Malaysia and developed music education programs for young adults in Java and Bali. In Ambon she worked on music projects and filmed a documentary on the role of poetry and arts in the reconciliation proces after the 1999-2002 conflict. Before starting independently she developed and curated public program series and cross-disciplinary projects like Gepeperd Verleden, Blind Spots and Huizen van Aankomst at the Indies Heritage Center.</image:caption>
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      <image:title>Beyond Walls Collective - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Feba Sukmana (left) and Anne-Lot Hoek (right) © Keke Keukelaar</image:caption>
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      <image:caption>Founders BEYOND WALLS. Foto credits: Armando Ello</image:caption>
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      <image:title>Beyond Walls Collective - Make it stand out</image:title>
      <image:caption>WESTCAST by City of Amsterdam, University of Amsterdam, Van Gisteren, Buro Braak and Beyond Walls I A project that highlights the historical context and present day impact of colonial street names In Amsterdam West. Go to westcast.nl and dive deeper into the stories on colonialism and representation in public spaces from a diversity of perspectives. BEYOND WALLS developed and produced the podcast series and audio scapes with research-based historical context on a variety of street names. Listen to the podcast series with hosts Merel Wielaert and Charisa Chotoe in conversation with media and historical experts, city officials, teachers, curators and artists like Suze Zijlstra, Sofyan Mbarki, Raul Balai, Reza Kartosen-Wong, Fenna Ulichki and more. Spoken word reflections by Smita James &amp; Tieka Masfar.</image:caption>
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      <image:caption>With stories told by (from left to right): Kartika Affandi, daughter of Affandi, Marthy Anthony-Akihary, daughter of Petrus Akihary, Sukmawati Sukarno, daughter of Sukarno, Kurniawan Adigunarso, son of Mohammad Toha Adimidjojo, Tjok Gede Dalem Pudakk, son of Cokorde Rai Pudak, Evlina Suzanna Sinuraya, daughter of Eben Hezer Sinuraya, Kwee Tjoe Houw, son of Letty Kwee, Sena Meaya Ngantung, daughter of Henk Ngantung, Merapi Obermayer, daughter of Julia Nelisse, Pier Terwen, son of Jeanne (‘Peu’) van Leur - de Loos.</image:caption>
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      <image:title>Beyond Walls Collective - Behind the scenes photos of shooting the second chapter of MANUAL FOR THE DISPLACED, November 8th. Photo credits: Ezme Hetharia. Full album here.</image:title>
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      <image:title>Beyond Walls Collective - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>For this poetry program &amp; film series we invited Manuwi C Tokai to create an artistic intervention based on a chosen 'object' from the exhibition that resonated with her and her chosen theme Ancestors. Together with people from her community in both the Netherlands and Suriname, she searched for the most urgent question that lived within this context. Manuwi's process did not lead to an 'object' from the exhibition. But to a Kalinya baby, allegedly stored in the museum depot for almost 100 years. Together with her community including her ancestors, she shared her truth in the performance “Dear ancestors, we miss you”. The message of Manuwi and her community of the Kalinya Terewuyu Nation was and is clear. They reclaimed the human remains of their ancestors and handed over a copy of their official claim to the Dutch state. Read their full statement here.</image:caption>
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      <image:title>Beyond Walls Collective - PUBLIC PROGRAM &amp; POETRY FILM</image:title>
      <image:caption>BEYOND WALLS, Het Tropenmuseum and Read My World present the new Poetry Program &amp; Film Series DICHTER BIJ ONZE KOLONIALE ERFENIS / READ OUR COLONIAL INHERITANCE starting this September! This new series is part of the exhibition 'Our Colonial Inheritance', now on display at the Tropenmuseum. With artists, writers and storytellers Joshua Timisela, Manuwi C Tokai, Kevin Groen and Nisrine Mbarki. Public program and poetry shortfilms The new hybrid program &amp; poetry film series invite poets, writers and spoken word artists to create a reflection inspired by a theme and 'object' that resonate with their stories. The artists perform their work for a limited audience around their chosen ‘object’ in the exhibition space. Beyond Walls co-curates this program and follows the artists on their journey from creative process to intimate performance. We capture it on film and integrate it into a series of short films of poetry interventions that brings theme, performer, 'object' and audience closer together. You can be part of this. Be quick, there are limited seats available. Tickets and more info on the website of Tropenmuseum. READ OUR COLONIAL INHERITANCE is developed and produced by BEYOND WALLS, Tropenmuseum and Read My World.</image:caption>
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      <image:caption>Glenda Pattipeilohy in front of the original manuscript from Neirabati (1922) at the library of the National Maritime Museum Amsterdam (photo: Armando Ello) PODCAST SERIES ‘HET SCHEEPVAARTMUSEUM: BANDA &amp; BEYOND’ I In July BEYOND WALLS &amp; Het Scheepvaartmuseum launched all 3 episodes! In the podcast series Het Scheepvaartmuseum: Banda &amp; Beyond, Beyond Walls explores Banda’s history and present together with Het Scheepvaartmuseum, experts, researchers and artists. Central in this podcast is the almost hundred years old manuscript written in 1922 by M.S. Neirabati from Lonthor, Banda. This historic document is part of the collection of Het Scheepvaartmuseum en currently researched by Joëlla van Donkersgoed. Why was this written and for whom? How come this important document is part of a Dutch museum collection? In BANDA &amp; BEYOND Historian Wim Manuhutu and educator Glenda Pattipeilohy (photo) will have conversations with linguist Aone van Engelenhoven, poet Rudi Fofid, curator Romy Rondeltap, historian and writer Nancy Jouwe, researcher Joëlla van Donkersgoed and Head of Education, Het Scheepvaartmuseum Stefanie van Gemert. With poetry by Rudi Fofid and music by Jane Rahajaän.</image:caption>
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      <image:caption>Manuwi C Tokai and her community of the Kalinya Terewuyu Nation created the intervention “Dear Ancestors We Miss You” . It centers a Kalinya baby stored in a museum depot for almost 100 years.. It is allegedly part of the colonial collection of the museum.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Kartika Affandi, daughter of the famous Indonesian. painter Affandi on her father’s legacy and the Revolution.</image:caption>
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      <image:caption>Achmed and Toetie Soerapaiman have rented a plot in Groen Gennep, Eindhoven for the last 25 years. In this complex of 200 vegetable gardens they produce vegetables that their ancestors grew in Suriname, and which are hard to get in the Netherlands. They share these vegetables with elderly people in their mosque. Foto by Van Abbemuseum. THE SOILS PROJECT. Beyond Walls is a proud fellow partner in The Soils Project: an experimental research, discursive and exhibition project organised by Van Abbemuseum Eindhoven, TarraWarra Museum of Art near Melbourne and Struggles for Sovereignty based in Jogjakarta. Together with fellow artists, writers and academics, the team will build the Soils Project as an investigative process into how art can offer ways of promoting well-being in the broadest terms, while challenging ongoing acts of extraction and exploitation linked to colonization. The project looks for ways to act ethically and with care towards its different hosts, their histories and contemporary needs. The title derives from the Four Soils conceptualized by the Palestinian writer and mathematician Munir Fasheh. They are earth soil, cultural soil, communal soil, and affection-spiritual soil. These are the soils that humans must nurture so that the soils can nurture all life on the planet in return. Cultural and artistic forms can help this nurturing by making it tangible and desirable. At its best, art helps people build relationships with each other without flattening the differences of identity, geography and history. It can link people back to the soils on which they stand, to the uniqueness of their places and to the whole ecosystem that is life’s support system. SOILS will lead to two exhibitions: fall/winter 2023 in Tarra Warra Museum of Art, a festival organised by Struggles For Sovereignty and a final exhibition in Van Abbemuseum in 2024. Further read on SOILS. Below: impression of the exchange program in October 2022 in Melbourne and Healesville, Australia. From a Welcome to Country smoking ceremony by First Nation Elder Dave Wandin, to museum and curatorial exchanges and in depth workshop sessions with the team. Beyond Walls was partially funded by DutchCulture.</image:caption>
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      <image:title>Beyond Walls Collective - GLENDA PATTIPEILOHY</image:title>
      <image:caption>Glenda Pattipeilohy is an educator, event producer, curator, co-founder of Beyond Walls and creative communicator with one mission: raising collective awareness of untold stories and knowledge from (and thus empathy because of) these untold stories for our fellow humans. As a cultural professional she produces and co-curates public programs like Heritage in Motion and projects like AMI in the cultural sector and beyond. Her background lies in the Arts, Fashion design and communications (BA). Glenda uses fashion design as a way to spark critical conversations on sustainability and identity. Glenda worked on projects with a diverse array of designers, photographers and stylists throughout the Netherlands, New York and London. She participated in different projects during Dutch Design Week like Heyniek, de Modebelofte, Popcore presents ABRA and CosmoV. In 2019 she completed the summer school Art as Politics at BAK. In 2015 she graduated with a cross-media exhibition: The Forgettables. With this multidisciplinary project her aim was to raise awareness about injustices that are still happening today in the pacific and West Papua. Glenda is active in education, talent development and empowerment projects for children and young adults. Currently she is educator at Van Abbemuseum Eindhoven and the Fawaka Ondernemersschool. Glenda tries to go back to the Moluccas every year to continue her sustainable empowerment project she initiated with her friends of Moluccas Coastal Care in Maluku. #maribaikooo (Let’s join us) is her motto. Photo credits: Diewke van den Heuvel</image:caption>
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      <image:caption>Documentary ANTARA DUA BULAN (Between two moons) I We are thrilled and honored that Erasmus Huis asked Arnaud Kokosky Deforchaux and BEYOND WALLS to make a short documentary on IBU IBU BELU: Bodies of Borders by choreographer Eko Supriyanto in collaboration with dancers Evie Nalle, Yunita Dahu, Angela Leki, Feliciana Soares, Marlince Ratu Dabbo and Adriyani Hale from Timor. We followed them in their journey and proces for four days towards their premiere performance in the Netherlands at SPRING Festival. We feel blessed to be part of this special project! Documentary premiere 18 May 2022, Erasmus Huis JAKARTA 19 May 2022, SPRING Festival, NL IBUIBU BELU: Bodies of Borders explores the unique choreographic traditions of Belu in Nusa Tenggara Timur and is the culmination of two years of research into the Likurai, a dance traditionally performed by women and girls upon the men’s return from warfare. The tradition forms a vital thread in the social fabric across the divided island of Timor. Through his exploration of movement, rhythm, songs and textile traditions Supriyanto and the dancers manifest the ways in which dance carries the kinship of people who are now divided by politically imposed borders separating Nusa Tenggara Timur and East Timor. These memories are embodied in the six dancers of IBUIBU BELU – one of whom originates from East Timor – and their lived histories as expressed in Likurai. They are paradoxical proof that bodies challenge political boundaries, while at the same time remain restricted by them. Fotocredits: David Gesuri</image:caption>
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      <image:caption>POETIC RECAP I February 15, 2021 Poetry reflection 'Beyond The Collection' by spoken word artist Tieka Masfar There’s much to say about the two sessions on dealing with colonial collections by Beyond Walls during last Thursdays expertmeeting ‘HERE: Heritage Reflections’ by Mondriaan Fonds and Rijksdienst voor het Cultureel Erfgoed. All 23 participants were asked to give a brief summary of their sessions. Beyond Walls asked spoken word artist Tieka Masfar to write and perform a poetic reflection instead. A big s/o to Tieka for capturing our two sessions in such a powerful way. “I am the other. The one you speak of when you think this might be sensitive I am a diaspora of a community So let’s go” Click here for full lyrics.</image:caption>
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      <image:caption>Mrs. Athy Anthony-Akihary sharing the story of her late father Petrus Akihary EXHIBITION PORTRAITS ‘AFTERLIVES OF REVOLUSI’ I Beyond Walls in collaboration with Het Rijksmuseum. Now on display in the exhibition REVOLUSI! at Het Rijksmuseum. The Rijksmuseum invited BEYOND WALLS to develop and produce ten personal film portraits of a diversity of descendants of the Revolusi. These portraits are part of the exhibition Revolusi! Indonesia independent by the Rijksmuseum. From Sumatra, Java and Bali to the Moluccas, Sulawesi and The Netherlands. These ten personal stories show the diversity of lived experiences and impact of the Revolusi on people’s lives, beyond the grand narratives of nation-states. Concept, production &amp; direction: BEYOND WALLS. For BEYOND WALLS it was key to co-create and collaborate with filmmakers and producers in Indonesia throughout the whole proces. Collaboration Indonesia and The Netherlands In collaboration with filmmakers Lexy Rambadeta, Rikky Muhammad Fajar and Novindra Dhiratara Kiran. Production crew: Bagaskara Niartanaya, Venna Agniasari, Yusuf Pambudi, Valentinus Rommy and Felix Dody. On Bali in collaboration with filmmakers Peter Mariouw Smit and Mike Wennekes and interviewer Ni Ketut Sudiani. With special thanks to Anne-Lot Hoek. Production crew Netherlands: Beyond Walls, Danny La Haye (soundscapes), Feba Sukmana (translation), Lara Nuberg (interviews NL), Pim Hermans (camera), David Karels (camera), Maarten Wolff (camera). Now online via www.rijksmuseum.nl. The production was made possible by funding of the National Foundation for Peace (vfonds) June 2022: The exhibition REVOLUSI and film portraits were visited by over 120.000 people. Online the ten films were watched fully by over 500.000 people worldwide, mainly from Indonesia. Source: Het Rijksmuseum.</image:caption>
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      <image:title>Beyond Walls Collective - Click here to listen to all episodes of Banda &amp; Beyond</image:title>
      <image:caption>The 100 years old manuscript (Hikayat) from Lonthor, Banda, part of the collection of The National Maritime Museum. A unique document with stories on Banda’s precolonial history. Photo: Armando Ello I Click here to read further and listen to all episodes of Banda &amp; Beyond.</image:caption>
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      <image:caption>Moluccan artist Eko Saputra Poceratu wrote a special poem for BETA DISINI and shot the cinematic poetry on Ambon and Seram Island.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>King Willem Alexander, director IHC Yvonne van Genugten and project leader Suzanne Rastovac talk about Huizen van Aankomst</image:caption>
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  <url>
    <loc>https://www.suzannerastovac.com/projects/visualstorystelling</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-07-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e047de54b89f34b576f95ba/1588427420809-DRI7V2CU69RXSDFMDOHF/New+Homes.png</image:loc>
      <image:title>Projects - Visual Storytelling</image:title>
      <image:caption>DOCUMENTARY NEW HOMES - stories of belonging (2021) A documentary about diaspora communities in Vancouver and New York. How do they perceive and shape their mixed identities in these diverse metropolitan cities? What is their sense of belonging? Amongst them, is artist Carly Whitaker-Wilson, who is of South African, Canadian and Dutch-Indonesian descent. She shares her personal experiences on identity, stereotypes and belonging in the context of the diverse city of Vancouver, Canada. "I always froze when having to fill out the ethnicity portion of any government documentation. I spent at least ten minutes here. Confused. Uncertain. Every time. It never felt right when my darker skinned Dutch-Indonesian mother told me to check off “Caucasian” as If it were an obvious choice. And to this day I still struggle with knowing exactly what to sign myself off to with the lack of boxes even available for my mixed race." Concept and directing: Suzanne Rastovac and Jeremy Flohr Film and edit: Jeremy Flohr Year: November 2022</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e047de54b89f34b576f95ba/1588311165634-3X0620I5Z069F149NF1P/image-asset.jpeg</image:loc>
      <image:title>Projects - Visual Storytelling</image:title>
      <image:caption>SHORT DOCUMENTARY AMBON POETRY (2021) I AMBON POETRY is a raw portret of a generation born in the context of the religious conflict between 1999 and 2003 and giving voice to its impact on the youth. Ambon (The Moluccas) Januari, 2017. Two friends, famous writer and poet Ecko Saputra Poceratu and musician Marco Dhyllan Pattianakotta organize local poetry meetings for the youth in Ambon in a small room filled with books in the district of Karang Panjang. In the form of poetry they give voice to the impact of conflict while at the same raise awareness about this part of the city’s history. By the proces of reading and writing poems together they come to terms with their own personal stories and create ownership in shaping the future of Ambon. Concept and directing: Suzanne Rastovac and Jeremy Flohr Film and edit: Jeremy Flohr Year: 2023</image:caption>
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  </url>
  <url>
    <loc>https://www.suzannerastovac.com/projects/podcast</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-06-20</lastmod>
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      <image:title>Projects - Podcast - The Kitchen Table</image:title>
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      <image:title>Projects - Podcast - The Kitchen Table</image:title>
      <image:caption>Left to right: Chris Keulemans, Leila Prnjavorac and Shishani Vranckx</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e047de54b89f34b576f95ba/1587848652596-4CCUPL6F228CHH394CUH/Podcast+%40+the+kitchen+table+4+2.jpg</image:loc>
      <image:title>Projects - Podcast - The Kitchen Table</image:title>
      <image:caption>Animation by Nona Weltevrede</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e047de54b89f34b576f95ba/1589282788570-X51EHM7Z1ZLFAKURYZ0R/FOTO+LAUREN+ZELAYA+AND+BEATRICE+GLOWkopie.jpg</image:loc>
      <image:title>Projects - Podcast - The Kitchen Table</image:title>
      <image:caption>Left to right: Lauren Argentina Zelaya and Beatrice Glow</image:caption>
    </image:image>
  </url>
</urlset>

